Sound Redesign: Indiana Jones Office Action (2013)

Here’s another sound redesign promo I recently completed. The promo is titled “Indiana Jones Office Action” and was awarded best movie promo at PromaxBDA Europe 2011.

I’ve replaced all the sound from both promos, including the original Indiana Jones movie footage. It’s more satisfactory for me to use my own recorded sounds, but my personal sound library isn’t that big yet. So, to get things moving I have used mostly sample library sounds to complete the project and some from my private library.

Still, it’s how you process and superimpose the sounds that really matter. Here’s a a couple examples of how I got some larger-than-life sound effects.

 

The boulder

The boulder in “Indiana Jones: Raiders of The Lost Ark” is made of fiberglass and doesn’t sound anything like a boulder. Sound designer Ben Burtt explained that they had tried rolling boulders down a hill, to get an authentic boulder sound. However, boulder-down-the-hill-plan wasn’t giving the expected results, so they kept on searching. Later that day they discovered that their Honda Civic rolling on gravel produced the perfect boulder sound, and was used as the basis for the boulder sound effect in the movie.

I have also used rolling car tires as the basis of my boulder sound effect. I lowered its frequency somewhat to make it more rumbly and less reminiscent of car tires. I also added a sound effect of a gimbal. From the sound of it, the gimbal seems huge, and it also sounds like there’s small branches and twigs snapping in the background, so it fitted the environment perfectly. Lastly I added some clean LF rumble which helps to emphasize the sheer size and weight of the boulder.

 

The title logo

The title logo appears with a short library whoosh which I’ve kept untreated. The whoosh is shortly followed by the narrator, while the theme music is playing vividly in the background. The narrator is recorded with a large diaphragm tube mic at close proximity. It’s recorded using an SE reflection filter, but those things don’t work too well as soon as you start heightening your voice. Yet, at a low level, close proximity situation, it’s better than nothing. 

The narrator is processed with eq, multi band compression and de-esser.

Next thing in line is the whoosh again, this time it is reversed and pitched down. I have also added a drone tone with Space Designer. Lastly, as this is an Indiana Jones movie promo, I felt obliged to include a whip crack and here it is, superimposed with the whoosh. I used Waves LoAir to beef it up a notch and it makes the whip crack a little more subtle. I tried using even more LoAir but then I ended up with a whip crack sounding like a heart beat! Maybe something for my next project?

For comparison please refer to the PromaxBDA webpage. Here you will also find other great promos. 

Thanks for watching!

 

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Sound Redesign: Small Screen Big Series (2013)

Here’s my newest sound redesign creation. The promo “Small Screen Big Series” from Prime won gold for best sound design at PromaxBDA Europe 2011.

I’ve scavenged the web for most of the sounds using WireTap, a very useful tool for ripping sound. Of course, I don’t endorse copyright infringement, but for non-profit puposes like this, no harm done.

The track used is “Come to My Bedside My Darling” (1965) by The Brothers Four. I’ve edited it down to promo length and narrowed the stereo image, as the original is extremly wide.

For the original promo check out the PromaxBDA website.

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Sound design on Vimeo

In order to show off my sound design more conveniently, I’ve posted a few clips on Vimeo. Some of them were made during my days at London College of Music and date back all the way to 2006. Video resolution is not the greatest on the oldest clips, but please check them out anyway.

I had a lot of fun doing “Sound ReDesign: Predator“. The voice acting was probably the most enjoyable part, as I love to imitate Arnold. My friend Tamara also helped out with voice acting for the character Anna. I also did the sounds for the Predator.

In retrospect I think that I should have attempted getting the “growling” more similar to the original, but I’ve decided not to muddle with old projects, so I’m not touching it. The tech sounds of the predator like its weaponry and “predator view”, are based on an old analog Roland synth.

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Microphone showdown – Whisky

I’m in the finishing stages of completing a TV promo, which I’m using as part of my portfolio. Most of the sounds used, I’ve scavenged on the web using WireTap, but there was a single sound that I was unable to find – whisky.

The sound I’m after is whisky being poured into a still-standing whisky glass containing two ice cubes. I have assembled a crew of four contestants: 

Image

Studio Projects T3

DPA 4017B-R

Edirol R-09

Røde Stereo VideoMic Pro

Sadly, my home isn’t sound-proof so the recording session will commence later tonight, to avoid environmental noise. Tune in later to find out which microphone is the ultimate whisky companion!

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SoundCloud

I’m posting my work on SoundCloud. Music, sound design and field recordings – it’s all there. I’ve already published a few tracks of my previous work and several more will soon follow. Enjoy!

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New website!

Welcome to my new website! My previous website went down, so I needed a long awaited replacement, and this is it, for now anyway!

The site is under construction, so please bear with me. I will however soon be posting samples of my work and other related topics.

Please comment or get in touch!

Christopher Rygh

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